That is when I began experimenting with different software. After a year off of music in college, I felt the need to get music back in my life. I played in jazz band and wind ensemble for seven years until I graduated from high school in 2008. I began playing music in 5th grade when my mother got me started on alto saxophone. Keep your feet firmly planted to the floor for your own safety because, like all good things, the music starts off gentle and slowly brings you to your climax, leaving you udderly satisfied like a freshly milked Wisconsin Holstein. TOER is one 23 year old cornfed hombre from the boonies electrifying the world in a mathematical fashion. Or maybe Renoise.Out of Madison, WI, TOER electrifies listeners with buttery biscuit synths served with thick electronic gravy. Without knowing too much about FLstudio, I'd guess it's probably not too far away from that. It's been in development for ages, both by the author and the community that use it, so it's probably a lot more advanced now than when I looked at it last. Setting up something like sidechaining would be a piece of piss with its routing scheme, which lets you map the same output to multiple inputs and vice versa. It is really good at creating complex routings though. So I'd say its a good tool to use like Reaktor to generate interesting sounds/melodies, but you'd want to use a "proper" sequencer for the final product for more flexibility. The big downside is that you can't really work in audio very easily. It's actually a pretty cool program, and before I got into sequencers like Cubase/Logic/Live etc, it really did do the job. You can create "patterns" for each generator/effect, which are the equivalent of a 4/8/whatever-bar MIDI clip, then you sequence out the song by specifying which pattern each machine should play in a timeline. The generators let you sequence note data like MIDI, but in the old tracker style: You start with a "generator", which outputs a signal (could be a synth or a sampler), then that goes through "effects" (like compressors, EQs etc), and eventually it all ends up at the master, where you hear the output. It's an oldskool freeware Windows sequencer, loosely based around the MOD file concept, but with heaps of new cool additions like channel effects, VST support, routing etc.
I haven't heard that name for a very long time. I assume that's as in Jeskola Buzz right?
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